Saturday, April 18, 2015

Spring at last, in New York City too!

 

     I went in to New York early on Thursday before my Writers Group, to see the Plains Indian art exhibit at the Metropolitan Museum.  It was extremely moving– I'm not sure why:  their art was not self contained but open (to everyday life?  to the changes they were forced to make?  And, after all, the Plains Indian horse culture was not an old culture, but only a couple of hundred years old).
     Anyhow, all the garments and carving and illustrated buffalo skins were beautiful and determinedly expressive.  Some of the later pieces, early 1900's, were just delightful too:  a pair of commercial women's canvas shoes with ties and little heels, covered in exquisite bead work. Oh my.
     Contemporary artists too, who made collages family pictures in the form of a warrior's shirt, paintings, etc.  These things were all thickened for me by my memories of the cradle board exhibit a few years back in Rhode Island and  the moccasin exhibit twenty years ago at the Museum of the American Indian: spirally arrange used simple and artful moccasins, all sizes. Recent reading of the half white half Cheyenne warrior leader Quannah Parker.
Also saw wooden statues of warriors and mothers from the border of Nigeria and Cameroon, used to hold drums now gone.  Also a quick trip to Northern Renaissance paintings-- famous and splendid Hans Memling couple, Van Eyck crucifixion and Last Judgement.  
      And a beautiful walk through Central Park, with a blue sky and splendid buff apartment buildings on Fifth Avenue.


Saturday, March 28, 2015

Xavier Tippett in Measure for Measure

That's Andy, Charlene, Xavier, Madysen, and MSW after the show.


Andy and I went last night to see our friends Charlene and Tyrone Tippett's son Xavier in Measure for Measure  (See their Youtube Promo).  He attends the Middlesex (NJ) county arts high school, and it was amazing to see a group of 15 and 16 year olds playing that mean old late Shakespeare play with all the corruption and hypocrisy: an excellent Angelo, lots of girls doing the usually male parts, notably the Duke.  She did a really admirable job with those many long lines of poetry and narration.

Shakespeare's patriarchs are, in my opinion, hardest for 21st century people to appreciate and understand:  they are always manipulating and tricking their subjects  (Duke Vincentio certainly does-- playing his cruel pretenses till the very end) -- and yet, we are, in the end, supposed to appreciate their magnanimity and their ability to restore order. Anyhow, that's tough for us today with our ideology (if not always fact) of democracy. So aside from how well the young woman played the part, the decision was made for her to do it light-heartedly, almost playfully, which works probably better today than old-fashioned dignity and privilege.

And the end, where the Duke offers her hand in marriage to Isabela, is played with a black-out rather than another forty lines of blank verse.  Interesting indeed.

Xavier's Pompey, on the other hand, is a natural: he's the bar tender/ bawd, one of Shakespeare's clowns, but played by Xavier in sharp early twentieth century clothes as more of a self-conscious humorist:  more stand-up than fool-- anyhow, he was handsome and funny and terrific.

In general, those kids did a more than adequate job with the language, which is just a stellar compliment to their teacher/director, and their physical movement, individually and as a group, plus singing, were completely professional.

What a treat!

Saturday, March 21, 2015



Well, the first day of Spring 2015 looked like this, but the next day it mostly melted.  It's been a hard winter for drivers and shovelers, but maybe a good one for killing insects??  Or maybe not.  The garden greens under plastic look like they'll make it, and a few things that were in the open garden  (mâche, a sage plant, parsley) look miraculously fine.

Friday, March 13, 2015

Meredith Sue Willis's Books for Readers #176

 

Meredith Sue Willis's

Books for Readers # 176

March 13, 2015

When possible, read this newsletter online in its permanent location .

  For Back Issues, click here.
MSW Home
.


New Press!

Irene Weinberger Editions

.
.
.

 

In Books for Readers # 176:

.

 

Trampoline: An Illustrated Novel by Robert Gipe

We the Animals    Gilead

Two Old Women   Lonesome Dove

Jane Eyre   The Ambassadors

Fumiko Enchi    Vera's Will

Readers Comment

E-Reader Report with John Birch

Things to Read & Hear Online

Announcements and News

For a Free E-mail subscription to this newsletter:

.
.
I took a walk today, the first sunny day over 30 degrees Fahrenheit in a long time, and I was mulling over this newsletter a little, and suddenly thought, out of the blue, "What a pleasure books have been to me!" Just a little moment of gratitude for all the journeys I've had with books. There is nothing for me like the pleasure of going into the world of a novel-- it lasts a long time, compared to, say, a movie, but I think, for me at least, what's most pleasurable is the way it plugs directly into my imagination. I do a lot of the work of creating the reading experience: I hear the voices, I imagine the faces, and that work makes the book much more mine than other media. And when I reread something I first read decades ago, it is like a new experience, but with extra depth.
I'm not going to say much this month about some genre books I enjoyed a lot-- except to recommend them: first, the Fool series by my new fave fantasist, Robin Hobb, and then Michael Nava's Henry Rios mysteries about a gay Mexican-American lawyer (The Little Death, Goldenboy, Howtown, The Hidden Law, The Death of Friends, The Burning Plain , Rag and Bone). The latter books have a wonderfully precise evoction of urban California during the height of the AIDS crisis.
I also will say relatively little about most of the highly reviewed and popular books I liked: one was Justin Torres's We the Animals, which I gobbled in a couple of hours. He says he writes word by word painstakingly slowly, and I believe it, because it is quite perfect, line by line. It's a kind of elegy for a dangerous and violent yet still somehow magical childhood.
Also popular and not needing my praise is Gilead by Marilynne Robinson (and her new book set in Gilean, Lila, just wond the National Book Critics Circle award for 2015). Gilead had been on my mental list for a while, and I found it strong, slow, and moving. Indeed, it took a while for me to settle in to it, but I ended up teary-eyed. About the only thing James Wood missed in his excellent review in The New York Times is that the book is not really the story of one rather limited but kindly pastor– John Ames –bur rather the story of a town, Gilead, which has several other John Ameses– including the pastor's wild prophetic grandfather who rode with John Brown. I was also interested to findGilead on a list of novels that are supposed to be both good literature and Christian friendly.

Two Old Women by Velma Wallis, has apparently been a best seller, although I only recently heard of it. It is sometimes classified as a book for adults, sometimes for children, perhaps because it's so small. The writer is a Gwich'in Athabascan Indian, born in 1960. She hasn't published a lot. I looked for an image of her via Google, and one picture I found was of her a few years back speaking about one of her brothers who was homeless and burned to death.
I don't know her present world or her cultural past, but Two Old Women is wonderful. It is in the form of a legend told by a mother to a daughter. It tells of two elder-women left behind by their nomadic band to die during a time of extremely tight resources. They are not simply victims-- indeed, it turns out they have been demanding and lazy. They also have rich memories of their own lives and also of how to do things. They do extremely well on their own for a whole year, accumulating large stores of dried fish and meat, rabbit fur gloves and homemade coats. They are contacted again by their band, who are still starving, and there is guilt and distrust on all sides, and then a slow, painstaking reconciliation. Everyone learns respect, and the two old women learn not to expect always to be taken care of-- that they need to share their efforts and knowledge. This is a really interesting happy ending of a group experience rather than an individual one.
As long as Two Old Women is short, is a book about two old men: Larry McMurty's Lonesome Dove.  I was raised on cowboy movies and cowboy TV shows, and while I have criticisms ofLonesome Dove, I mostly just ate it up. The men characters are fighter-killer-drinker-whore-ers who are entertaining and amusing and incredibly hard- headed and often destructive and self-destructive. The two old men, former Texas Ranger partners Woodrow Call and Gus McCrae, are bored with their settled life near the Rio Grande River. They set off almost casually on a cattle drive to claim ranch land in Montana. This is at period at the end of the Comanche wars (the period detailed in the book about Quanah Parker book I reviewed recently ).
There's plenty of human evil– rape and death by gun, arrow, and hanging– as well as violent weather and wonderfully fierce animals: bison, grizzly bears, a nightmare of water moccasins. There are also lots of passages of crude humor, the sort of laughing at ugliness that men living in rough conditions seem to use to keep themselves sane. The book is thoroughly successful at what it sets out to do, in spite of my annoyance when my favorite characters start getting killed off in ways that sometimes feel manipulative (spoilers ensue): weak puppy-eyed Jake; heroic Deets; best point of view character, Gus. I assume McMurty is making a point here that anyone can go at any time (which can hardly be disputed), but he is also carrying out a plan for showing– however much he delights in his cowboys and Indians and rangers and whores– that this cattle drive and maybe the whole western expansion by Europeans over the North American continent was possibly ill-fated and maybe even meaningless.
It's probably significant that most of the survivors at the end, with one or two exceptions, are the least colorful-- that would be most of the women and a couple of relatively clueless men. It's a fine book, and during my reading, I kept waking up in the morning still thinking of it. For those of us who grew up with Gunsmoke and High Noon and Roy Rogers and Gene Autry, it fulfills an old craving.
For the rest of you, read it as a fine example of Americana.
.
I also reread-- again!-- Jane Eyre, so important to me as a girl, and of renewed interested because a colleague of mine is writing a spin-off of it. It's been a hard winter here in the northeast, and a Victorian novel with the snow outside always hits the spot.
I enjoyed this adult reread hugely (I read it on my Kindle, but kept picturing the 1943 Fritz Eichenberg wood cuts that were in the first edition I read). It is just so entertainingly histrionic! Jane is so brave! She stands up to Mr. Rochester and of course he has to fall in love with her! And Mr. R. is such an entitled jerk when he's in his full strength, rich and playing unpleasant tricks on people. St. John Rivers is worse– he's the handsome cold fish who tries to drag Jane into a loveless marriage because he needs a female missionary companion and thinks she would be just the ticket. Really, the men are hopeless. Mr. R. barely passes muster at the end because he really does love Jane, and, of course, he is by that point famously wounded and needy.
.
My other reread was The Ambassadors by Henry James. It was written in 1903, and there is some reason to call it the first modern novel: it probably inspired Dorothy Richardson and her not-much-read (certainly not by me) stream-of-consciousness work which was, however, read by Virginia Woolf and James Joyce, both of whom almost certainly read The Ambassadors as well. There's a nice piece online in praise of its modernism athttp://www.fractiousfiction.com/the_ambassadors.html.
I have to say it's a novel I've always admired more than loved. It's the story of an American, Lambert Strether, who is sent by the rich widow to whom he is affianced, to bring her adult son back from Europe where he is supposedly in the clutches of a fallen woman. Strether is determined to do right by his task, but he is also fully open to new impressions and beauty-- to Europe.
I can't say I am sympathetic to the leisure class preciousness of most of the characters, let alone their the highly developed manners and lavender gloves and collecting of bibelots. The story, though, has splendid sharp scenes, especially toward the end, as young Chad Newsome's future becomes pretty clear, and Mme. De Vionnet breaks down when she realizes she is going to lose him. Strether comments that in spite of how amazingly improved Chad is (more sophisticated, courteous, educated), he's still Chad-- which turns out to mean a young American man having his adventures before settling down to business. And really, who can blame him for wanting to do something active with his life?
The never-onstage Mrs. Newsome, Chad's mother, is wonderfully done: she is threatening and peremptory, and, in a brilliant touch, James has Strether decide that his only correct action is to go home with nothing for himself (he turns down an American expatriate's offer to make a nice life for him in Paris.) When Chad's sister and brother-in-law and a potential wife visit, the events are funny–The Ambassadors is, in fact, a much more humorous book than anyone gives it credit for.
When James stops elaborating mental states and recording long conversations and does scenes, you remember that he was first a powerful realist novelist, and that everything he is doing here is exactly what he means to do. It's a novel with terrific bones, and if I occasionally drifted away, I always came back. He himself rated The Ambassadors highest among his books. He told some stunned friends they should 5 pages at a time, but to keep reading.

                                                                                       Meredith Sue Willis

 

SHORT TAKES

Just Published!

Vera's Will covers the twentieth century with sweep and passion. It begins with the Kishinev pogrom and a family of Jewish immigrants to the United States. It is also the story of a woman's discovery she's a lesbian. The woman, Vera, has a devastating series of losses: she is removed from her lover, and her husband, when he discovers her sexual orientation, separates her from her beloved little sons. She spends much of her life in a misguided belief that she has to stay away from women as an alcoholic has to stay away from liquor. Vera's life is thus constrained and built on pain and loss, yet she is determined to be in her sons' lives in any way possible. She manages through sacrifice and loneliness also to maintain her self-respect and dignity.
Structurally, the novel balances Vera's story with that of her granddaughter Randy, who is a second half twentieth century woman who also discovers she is a lesbian, but in a time with more paths open to her. Randy's life is to some extent twisted too, not by who she loves, but by her formidably damaged father, the boy who suffered most from the exile of his mother. Randy survives and comes out as a Lesbian and an activist. Her childhood sections are terrific, and so is the depiction of the damage done to three generations by separating a lesbian mother from her sons.
I've rarely read better characters with deep flaws and admirable values. There is a happy ending in Randy's personal life, and a general hopefulness in the political future of all oppressed people. It's an exciting, excellent book. Get another opinion in the rave review in Library Journal that callsVera's Will "powerful, superbly written" and "a breathtaking achievement."
.

.
.

COMING SOON


Trampoline: An Illustrated Novel by Robert Gipe came to me as an advanced reading copy, and I just flipped through a few pages, not expecting too much, and got sucked in before I knew what hit me. The illustrations, also by Robert Gipe, are little b&w images of narrator Dawn Jewell's face with a line of dialog or monologue. I don't know that they are necessary to the story, but they make an attractive punctuation.
The story is of a teenage girl caught up in the sometimes-violent antics of her trashy, drug-dealing junk-food-scarfing Kentucky family. Her voice is wonderful, and she relates one incident leading to the next in a way that seems to define the lives of the poorest: you have to do something to get some money, you have to do something to anesthetize your hopelessness, you get in an argument, you throw a punch, you end up in the emergency room or thrown out of school, you get released and still need the money and the anesthesia, and it all starts over again..
Happily, and quite realistically, the novel also has a strong sub-plot--or maybe super-plot-- about Dawn's grandmother being an organizer against mountaintop removal. There are brief organizing scenes, and a visit to the governor (an excellent scene in which Dawn gets a glimpse of how the world works at the top), and, while the people on Blue Boar mountain get a bit of a reprieve, this story is set at the end of the nineties, so we know that the mountains are still being beheaded. The limits to how far any individual's political efforts can go is realistic, and the political and personal are woven together extremely well.
At one point, Dawn talks about the dilemma of those who love the mountains but also tear them up to make a living:
"Those Coal miners who had been so good to me, who had loved me through my tree-hugging ways, needed mountains and woods more than any of us. They loved it here, and they had to tear it up to stay. The full hard hardness of their lot came down on me that winter night, and I knew maybe not them but other coal-mining people would be mad at me, would hate me, but after that night, I never was mad at them, not the ones who lived here with me, not the ones taking their own sorrow and joy from what was left of these trees, these rocks, these rustling waters." (P. 226)
Another thread is Dawn's search for a young radio DJ over a state line (to Kingsport, Tennessee) whose voice appeals to her. The whole novel is essentially Thanksgiving though the Christmas holidays with fights, oxytocin, moonshine, attempted suicide, possible murder or maybe just death, plus a little unsexy sex– it's a heartbreakingly real story, with an excellent use of contemporary Appalachian voices.



The Waiting Years by Fumiko Enchi is about the family of a Japanese government official who is a  sort of anti-Prince Genji. Genji, the Shining Prince, is the hero of an eleventh century novel centering on the love affairs of a prince who seems remarkably always to keep his women happy, even when he takes a new lover: he builds new new wings to his palace for each beloved.
The Waiting Years is about a family where the women are notably not happy. The man forces his wife to find him the perfect concubine, then takes another, and eventually has an affair with his daughter-in-law.The long-suffering primary wife, Tomo, meanwhile, does all the family business. She collects rents, does accounts, and lives a grimly proper life shut out of any kind of affection. It is not a single point of view, but is mostly Tomo's story as she yearns for a particular kind of revenge– one that includes saving the family.
As in Enchi's other novel I read (see issue 172 ), I know I'm missing a lot of the subtleties of Japanese culture, and why certain things that seem like no biggie to me are shocking to the characters. Sex, pregnancy, even hemorrhoids, however, are treated with practicality.
Tomo's dilemma, and that of the other women in the household, moves me, even when I don't always quite get why.


READER COMMENTS

Phyllis Moore writes: "Crystal Wilkinson's book list ( in the Extra to Issue # 175) is a snapshot of classic books by Appalachian African American authors. She included poets, biographers, historians, and novelist. BLACKS IN APPALCHIA and BEETLECREEK are both excellent jumping off points for readers interested in an accurate view of life as it was and as it is in this one section of the USA."


Note: In the Extra to Issue # 175 in January, I asked for thoughts about the future of where we'll get our ideas for what to read--where the gatekeepers will come from. I wrote about it in a blog post, largely in reaction to an essay at Slate by Daniel Menaker.

In fact, as Johnny Sundstrom says below, reviews like Books for Readers can be part of the answer. I picture a time when we go first to certain blogs or newsletters we partcularly like. I often take a look at Goodreads after I've started a book to see some comments on it. I also use Books for Readers for my own reading. A lot of what I've read in the last few years comes directly from suggestions people gaave me here.

Johnny Sundstrom wrote (and thanks for the compliments!): " You've done a great job at what you're asking to be done, being a 'gatekeeper' and a guide to good writing. In spite of efforts such as yours, the issues you raise and the quandaries all serious writing faces today are omnipresent and growing. The feeling of futility that confronts an 'unknown' writer today is probably not that different than what has always been there for those who become discouraged from even trying or who have been frustrated by the always present lack of opportunity presented by the limited access to the opportunities controlled by commerce.
"However, the sheer quantity of 'crap' and the current state of the pop/money market has to be even more daunting than ever. My quick response to your questions (without much thought going into it) is that the world's Librarians and wannabe librarians, whether publicly supported and/or working in academia, are also an endangered species, and they are by and large booklovers themselves and have literary qualifications and experience. Perhaps as a part of their vocations and avocations, they could be enlisted and organized into a Voice and outlet for the preservation of reading and writing that serves both the writing/reading communities and their own survival as a pillar of an enlightened society.
"This would not necessarily be an attempt to get more people to use libraries so much as it would add to the job description and value of the profession, and through the internet become a valuable service in the interests of the goals you are suggesting.
"Thanks for all you're doing."


JOHN BIRCH E-READER REPORT: E-BOOKS WILL REPLACE OLD-FASHIONED PAPER SCHOOLBOOKS – BUT HOW?

A recent survey of 475 educators – mostly school and district leaders -- predicts a massive growth of the market for e-books in schools in the next two years, replacing traditional paper schoolbooks.  Parents will be delighted, because schoolbooks have always seemed shockingly pricey, and even kindergartners and other youngsters, overburdened by their backpacks, will relish a lighter load. But will e-books really work? How easily can you look back a couple of pages for a minute or two, or jump forward a chapter or two, or jump to the contents and back, or consult the index, or a glossary or a cast of characters? I asked a similar question in the last Newsletter, but on that occasion in everyday use of e-book readers. But the problem's even more acute in the case of, say, a science, history or biology textbook.

Don't miss John's latest post on his blog, "Lazy Saint," at blog.


BOOK LEAF REPORT

 

LISTS

Here's a blog post by a professing Christian who enjoys literary fiction and has found twelve books that he thinks challenge and help his faith: http://www.relevantmagazine.com/culture/books/12-fiction-books-will-shape-your-theology .
 

READ AND LISTEN ONLINE


Spring 2015 Issue of the Hamilton Stone Review, #32

Poetry by Billy Cancel, Darren C. Demaree, Howie Good, Nels Hanson, Nora Iuga, Seth Jani, Dan Lewis, Kevin McLellan, Kat Meads, Simon Perchik, Erin Redfern, Margaret A. Robinson, Terry Savoie, Elaine Sexton, D.E. Steward, Mark Young, and Lisa Zimmerman; Fiction by Peggy Backman, Dreama Wyant Frisk, Edward Miller, Caleb Okereke, Michael Price, Patty Somlo, Peter Speziale, and Scott Wheatley; Nonfiction by Liza Case, Chelsey Clammer, Reamy Jansen, Dean G. Loumbas, Gregg Orifici, and Steven Roiphe.
Jane Lazarre has an essay on Tom Dispatch.
Check out Sleet Magazine.
Check out Fractious Fiction–essays on modernism, mostly in the novel:http://www.fractiousfiction.com/index.html
ABE books has a funny list of famous books that had a lot of rejections: Tales from the Slushpile.
 

ANNOUNCEMENTS, BOOKS RECEIVED, CONTESTS, WORKSHOPS, READINGS ETC.

An interview with NancyKay Shapiro about her novel-in-progress, Celine Varens, as well as an excerpt from the novel at the online journal WIPs: Interview at http://www.wipsjournal.com/?p=2313and excerpt athttp://www.wipsjournal.com/?p=2300 .


Erik Corr's The Kingdom of Assassins now available. It's also atamazon.  "In the near future, a disillusioned New York City Counter-terrorist detective investigates a terrorist cell. A beautiful Arabian Princess comes to identify one of the dead from an assault on a safe house. Later during the investigation a Saudi Diplomat is also found dead, as well as another man with no identity. Tensions rise between Iran and the Kingdom of Saudi Arabia. From the concrete canyons of New York City to the searing oceans of sand in Arabia, Detective Mike Maclaymore purses the truth to its terrifying conclusion."

Just out from Ohio University Press: Every River on Earth: Writing from Southern Appalachia, edited by Neil Carpathios with a foreword by Donald Ray Pollock.

Valerie Nieman's second poetry collection, Hotel Worthy, is now available from Press 53 and on Amazon. Joseph Bathanti says, "There abides in its pages an uncanny past wrought into poems that spring from a memory – from a vast, liturgical acumen – that unites the dead with the living, restores the abandoned, returns the missing. This is a startling book. The language – its lyric nuance, its plaintive harmonies, its ceremonial beauty – is unforgettable." Val will be touring for the book. Watch for her from Greensboro, North Carolina to the New School in New York City to Charleston, SC and Blairsville, GA.

Jane Hicks has a new book of poetry, Driving With the Dead. It's from The University Press of Kentucky, published the last quarter of 2014. I hope to have a review of this one soon.

Do you want to own your own poetry magazine??
Long-time editor Juanita Torrence-Thompson is donating Mobius so it can stay alive. If any group, poet, editor, college, etc. might be interested in editing and publishing Mobius, please send her the information. She is available to offer limited assistance as a consultant the first year. Moving the magazine online is okay.
Here are a few of the award winning poets whose work has appeared in MOBIUS along with many people just starting out: Billy Collins, Rita Dove, Nikki Giovanni, Marge Piercy, Robert Bly, Sonia Sanchez, Natasha Trethewey, Naomi Shihab Nye, Charles Simic, Elizabeth Alexander, Cornelius Eady, Colette Inez, Yusef Komunyakaa, Diane Wakoski, Denise Duhamel, Virgil Suarez, Samuel Menashe, Maurice Kenny, Simon Ortiz, Carter Revard, Simon Perchik, Lyn Lifshin, Duane Niatum, Joseph Bruchac, Ed Galing, Daniela Gioseffi, Louis Reyes Rivera, Patricia Smith, Hal Sirowitz, Stephen Stepanchev, Rochelle Ratner, Susan Terris, Tammy Nuzzo-Morgan, Antony Oldknow, Daniel Thomas Moran, Thad Rutkowski, Ellaraine Lockie, and A.D. Winans.
Write Juanita Torrence-Thompson at poetrytownjtt@gmail.com

The Epiphany Chapbook Contest-- excellent judges in the categories of Fiction, Nonfiction, Poetry & Graphic Lit. Full details and guidelines are listed here: http://epiphanyzine.com/submit.html

Two poems from Barbara Crooker are up in the new issue of Verse-Virtual: http://www.verse-virtual.com/barbara-crooker-2015-february.html .
 

ABOUT AMAZON.COM
The largest unionized bookstore in America has a webstore at Powells Books. Some people prefer shopping online there to shopping at Amazon.com. An alternative way to reach Powell's site and support the union is viahttp://www.powellsunion.com. Prices are the same but 10% of your purchase will go to support the union benefit fund.
For a discussion of Amazon and organized labor and small presses, see the comments of Jonathan Greene and others in Issues #97 and #98 .

WHERE TO FIND BOOKS MENTIONED IN THIS NEWSLETTER

If a book discussed in this newsletter has no source mentioned, don’t forget that you may be able to borrow it from your public library as either a hard copy or a digital copy.You may also buy or order from your local independent bookstore. (To find a bricks-and-mortar store, click the "shop indie" logo left).
To buy books online, I often go first to Bookfinder or Alibris. Bookfinder gives the price with shipping and handling, so you can compare what you’re really going to have to pay.
Another source for used and out-of-print books is All Book Stores. Also consider Paperback Book Swap, a postage-only way to trade books with other readers.

If you are using an electronic reader like Kindle, Nook, or Kobo, don't forget free books at the Gutenberg Project—mostly classics, and free, free, free!
Kobobooks.com sells e-books for independent brick-and-mortar bookstores.

RESPONSES TO THIS NEWSLETTER

Please send responses to this newsletter and suggestions directly to Meredith Sue Willis . Unless you instruct otherwise, your responses may be edited for length and published in this newsletter.
 

BACK ISSUES click here.


LICENSE

Creative Commons License Books for Readers Newsletter by Meredith Sue Willis is licensed under a Creative Commons Attribution-NoDerivs 3.0 Unported License. Permissions beyond the scope of this license may be available athttp://www.meredithsuewillis.com. Some individual contributors may have other licenses.
 
To subscribe and unsubscribe to this newsletter, use this form.

 

"I hereby release my Goodreads review under a Creative Commons 3.0 Attribution License." -- Joel Weinberger




For a free e-mail subscription, please fill in your e-mail address here:
E-mail address:
 Subscribe  Unsubscribe
  
.
          

BACK ISSUES:

#176 Robert Gipe, Justin Torres, Marilynne Robinson, Velma Wallis, Larry McMurty, Charlotte Brontë, Henry James, Fumiko Enchi, Shelley Ettinger
#175 Lists of what to read for the new year; MOUNTAIN MOTHER GOOSE: CHILD LORE OF WEST VIRGINIA; Peggy Backman
#174 Christian Sahner, John Michael Cummings, Denton Loving, Madame Bovary#173 Stephanie Wellen Levine, S.C. Gwynne, Ed Davis's Psalms of Israel Jones, Quanah Parker, J.G. Farrell, Lubavitcher girls
#172 Pat Conroy, Donna Tartt, Alice Boatwright, Fumiko Enchi, Robin Hobb, Rex Stout
#171 Robert Graves, Marie Manilla, Johnny Sundstrom, Kirk Judd
#170 John Van Kirk, Carter Seaton,Neil Gaiman, Francine Prose, The Murder of Helen Jewett, Thaddeus Rutkowski
#169 Pearl Buck's The Exile and Fighting Angel; Larissa Shmailo; Liz Lewinson; Twelve Years a Slave, and more
#168 Catherine the Great, Alice Munro, Edith Poor, Mitch Levenberg, Vonnegut, Mellville, and more!
#167 Belinda Anderson; Anne Shelby; Sean O'Leary, Dragon tetralogy; Don Delillo's Underworld
#166 Eddy Pendarvis on Pearl S. Buck; Theresa Basile; Miguel A. Ortiz; Lynda Schor; poems by Janet Lewis; Sarah Fielding
#165 Janet Lewis, Melville, Tosltoy, Irwin Shaw!
#164 Ed Davis on Julie Moore's poems; Edith Wharton; Elaine Drennon Little's A Southern Place; Elmore Leonard
#163 Pamela Erens, Michael Harris, Marlen Bodden, Joydeep Roy-Battacharya, Lisa J. Parker, and more
#162 Lincoln, Joseph Kennedy, Etel Adnan, Laura Treacy Bentley, Ron Rash, Sophie's Choice, and more
#161 More Wilkie Collins; Duff Brenna's Murdering the Mom; Nora Olsen's Swans & KlonsLady Audley's Secret
#160 Carolina De Robertis, The Immortal Life of Henrietta Lacks, Ross King's The Judgment of Paris
#159 Tom Jones. William Luvaas, Marc Harshman, The Good Earth, Lara Santoro, American Psycho 
#158 Chinua Achebe's Man of the PeopleThe Red and the Black; McCarthy's C.Farm City; Victor Depta;Myra Shapiro
#157 Alice Boatwright, Reamy Jansen, Herta Muller, Knut Hamsun, What Maisie Knew; Wanchee Wang, Dolly Withrow.
#156 The Glass MadonnaA Revelation
#155 Buzz Bissinger; reader suggestions; Satchmo at the Waldorf
#154 Hannah Brown, Brad Abruzzi, Thomas Merton
#153 J.Anthony Lukas, Talmage Stanley's The Poco Fields, Devil Anse
#152 Marc Harshman guest editor; John Burroughs; Carol Hoenig
#151 Deborah Clearman, Steve Schrader, Paul Harding, Ken Follet, Saramago-- and more!
#150 Mitch Levenberg, Johnny Sundstrom, and Isabel Wilkerson's The Warmth of Other Suns.
#149 David Weinberger's Too Big to KnowThe ShiningThe Tiger's Wife.
#148 The MoonstoneDjibouti, Mark Perry on the Grimké family
#147 Jane Lazarre's new novel; Johnny Sundstrom; Emotional Medicine Rx; Walter Dean Myers, etc.
#146 Henry Adams AGAIN!  Also,Fun Home: a Tragicomic
#145 Henry Adams, Darnell Arnoult, Jaimy Gordon, Charlotte Brontë
#144 Carter Seaton, NancyKay Shapiro, Lady Murasaki Shikibu
#143 Little America; Guns,Germs, and Steel; The Trial
#142 Blog Fiction, Leah by Seymour Epstein, Wolf Hall, etc.
#141 Dreama Frisk on Hilary Spurling's Pearl Buck in China; Anita Desai; Cormac McCarthy
#140 Valerie Nieman's Blood Clay, Dolly Withrow
#139 My Kindle, The Prime MinisterBlood Meridian#138 Special on Publicity by Carter Seaton
#137 Michael Harris's The Chieu Hoi Saloon; Game of Thrones; James Alexander Thom's Follow the River#136 James Boyle's The Creative Commons; Paola Corso, Joanne Greenberg, Monique Raphel High, Amos Oz
#135 Reviews by Carole Rosenthal, Jeffrey Sokolow, and Wanchee Wang.
#134 Daniel Deronda, books with material on black and white relations in West Virginia
#133 Susan Carpenter, Irene Nemirovsky, Jonathan Safran Foer, Kanafani, Joe Sacco
#132 Karen Armstrong's A History of God; JCO's The FallsThe Eustace Diamonds again.
#131 The Help; J. McHenry Jones, Reamy Jansen, Jamie O'Neill, Michael Chabon. 
#130
 Lynda Schor, Ed Myers, Charles Bukowski, Terry Bisson, The Changing Face of Anti-Semitism 
#129 Baltasar and Blimunda; Underground Railroad; Navasky's Naming Names, small press and indie books.
#128 Jeffrey Sokolow on Histories and memoirs of the Civil Rights Movement
#127 Olive Kitteridge; Urban fiction; Shelley Ettinger on Joyce Carol Oates
#126 Jack Hussey's Ghosts of Walden, The Leopard Roger's Version, The Reluctanct Fundamentalist 
#125 Lee Maynard's The Pale Light of Sunset; Books on John Brown suggested by Jeffrey Sokolow
#124 CloudsplitterFounding Brothers, Obenzinger on Bradley's Harlem Vs. Columbia University#123 MSW's summer reading round-up; Olive Schreiner; more The Book Thief; more on the state of editing
#122 Left-wing cowboy poetry; Jewish partisans during WW2; responses to "Hire a Book Doctor?"
#121 Jane Lazarre's latestIrving Howe's Leon Trotsky; Gringolandia; "Hire a Book Doctor?"
#120 Dreama Frisk on The Book Thief; Mark Rudd; Thulani Davis's summer reading list
#119 Two Histories of the Jews; small press books for Summer
#118 Kasuo Ichiguro, Jeanette Winterson, The Carter Family!
#117 Cat Pleska on Ann Pancake; Phyllis Moore on Jayne Anne Phillips; and Dolly Withrow on publicity
#116 Ann Pancake, American Psycho, Marc Harshman on George Mackay Brown
#115 Adam Bede, Nietzsche, Johnny Sundstrom
#114 Judith Moffett, high fantasy, Jared Diamond, Lily Tuck
#113 Espionage--nonfiction and fiction: Orson Scott Card and homophobia
#112 Marc Kaminsky, Nel Noddings, Orson Scott Card, Ed Myers
#111 James Michener, Mary Lee Settle, Ardian Gill, BIll Higginson, Jeremy Osner, Carol Brodtick
#110  Nahid Rachlin, Marion Cuba on self-publishing; Thulani Davis, The Road, memoirs
#109 Books about the late nineteen-sixties: Busy Dying; Flying Close to the Sun; Looking Good; Trespassers
#108 The Animal Within; The Ground Under My Feet; King of Swords
#107 The Absentee; Gorky Park; Little Scarlet; Howl; Health Proxy #106 Castle Rackrent; Harry Potter and the Deathly Hallows; More on DrownBlindness & more
#105 Everything is MiscellaneousThe UntouchableKettle Bottom by Diane Gilliam Fisher
#104 Responses to Shelley on Junot Diaz and more; More best books of 2007
#103 Guest Editor: Shelley Ettinger and her best books of 2007
#102 Saramago's BLINDNESS; more on NEVER LET ME GO; George Lies on Joe Gatski
#101 My Brilliant CareerThe Scarlet Letter, John Banville, Never Let Me Go
#100 The Poisonwood Bible, Pamela Erens, More Harry P.
#99   Jonathan Greene on Amazon.com; Molly Gilman on Dogs of Babel
#98   Guest editor Pat Arnow; more on the Amazon.com debate
#97   Using Thomas Hardy; Why I Write; more
#96   Lucy Calkins, issue fiction for young adults
#95   Collapse, Harry Potter, Steve Geng
#94   Alice Robinson-Gilman, Maynard on Momaday
#93   Kristin LavransdatterHouse Made of DawnLeaving Atlanta 
#92   Death of Ivan Ilych; Memoirs
#91   Richard Powers discussion
#90   William Zinsser, Memoir, Shakespeare
#89   William Styron, Ellen Willis, DuneGerminal, and much more
#88   Sandra Cisneros's Caramelo
#87   Wings of the Dove, Forever After (9/11 Teachers)
#86   Leora Skolkin-Smith, American Pastoral, and more
#85   Wobblies, Winterson, West Virginia Encyclopedia
#84   Karen Armstrong, Geraldine Brooks, Peter Taylor
#83   3-Cornered WorldDa Vinci Code 
#82   The Eustace Diamonds, Strapless, Empire Falls
#81   Philip Roth's The Plot Against America , Paola Corso
#80   Joanne Greenberg, Ed Davis, more Murdoch; Special Discussion on Memoir--Frey and J.T. Leroy
#79   Adam Sexton, Iris Murdoch, Hemingway
#78   The Hills at HomeTess of the D'Urbervilles; Jean Stafford
#77   On children's books--guest editor Carol Brodtrick
#76   Mary Lee Settle, Mary McCarthy
#75   The Makioka Sisters 
#74    In Our Hearts We Were Giants
#73    Joyce Dyer
#72    Bill Robinson WWII story
#71    Eva Kollisch on G.W. Sebald
#70    On Reading
#69    Nella Larsen, Romola
#68    P.D. James
#67    The Medici 
#66    Curious Incident,Temple Grandin 
#65
    Ingrid Hughes on Memoir
#64
    Boyle, Worlds of Fiction#63    The Namesame
#62    Honorary Consul; The Idiot#61    Lauren's Line
#60    Prince of Providence
#59    The Mutual Friend, Red Water
#58    AkÉ, 
Season of Delight
#57    Screaming with Cannibals

#56    Benita Eisler's Byron
#55    Addie, Hottentot Venus, Ake
#54    Scott Oglesby, Jane Rule
#53    Nafisi,Chesnutt, LeGuin
#52    Keith Maillard, Lee Maynard
#51    Gregory Michie, Carter Seaton
#50    Atonement, Victoria Woodhull biography 
#49    
Caucasia 
#48    
Richard Price, Phillip Pullman
#47    Mid- East Islamic World Reader
#46    Invitation to a Beheading
#45    The Princess of Cleves
#44    Shelley Ettinger: A Few Not-so-Great Books
#43    Woolf, The Terrorist Next Door
#42    John Sanford #41    Isabelle Allende
#40    Ed Myers on John Williams
#39    Faulkner
#38    Steven Bloom No New Jokes
#37    James Webb's Fields of Fire
#36    Middlemarch#35    Conrad, Furbee, Silas House
#34    Emshwiller
#33    Pullman, Daughter of the Elm
#32    More Lesbian lit; Nostromo
#31    Lesbian fiction
#30    Carol Shields, Colson Whitehead
#29    More William Styron
#28    William Styron
#27    Daniel Gioseffi
#26    Phyllis Moore 
#25
    On Libraries....
#24    Tales of the City
#23
    Nonfiction, poetry, and fiction
#22    More on Why This Newsletter
#21    Salinger, Sarah Waters, Next of Kin
#20    Jane Lazarre
#19    Artemisia Gentileschi
#18    Ozick, Coetzee, Joanna Torrey
#17    Arthur Kinoy
#16    Mrs. Gaskell and lots of other suggestions
#15    George Dennison, Pat Barker, George Eliot
#14    Small Presses 
#13    Gap Creek, Crum
#12    Reading after 9-11
#11    Political Novels
#10    Summer Reading ideas
#9      Shelley Ettinger picks
#8      Harriette Arnow's Hunter's Horn
#7      About this newsletter
#6      Maria Edgeworth
#5      Tales of Good and EvilMoon Tiger
#4      Homer Hickam and The Chosen
#3      J.T. LeRoy and Tale of Genji
#2      Chick Lit
#1      About this newsletter



 
 
 
Biography   Blog   Books for Readers Newsletter   Contact   Home   MSW Info
MSW's Books   Online Classes   Order Books    MSW Online   Teens   Writing Exercises     
 
      
 
 
 
 
 
 
 


 

Friday, February 13, 2015

Would You like to Edit Your Own Poetry Magazine?

Do you want to own your own poetry magazine??

MOBIUS, THE POETRY MAGAZINE is on hiatus.

   The long time editor Juanita Torrence-Thompson is donating Mobius so it can STAY ALIVE.  If any group, poet, editor, college, etc. might be interested in editing and publishing Mobius, please send her your information.  She is available to offer limited assistance as a consultant the first year. Moving the magazine online is okay.

  Here are a few of the award winning poets whose work has appeared in MOBIUS along with many people just starting out:

Billy Collins, Rita Dove, Nikki Giovanni, Marge Piercy, Robert Bly, Sonia Sanchez, Natasha Trethewey, Naomi Shihab Nye, Charles Simic, Elizabeth Alexander, Cornelius Eady, Colette Inez, Yusef Komunyakaa, Diane Wakoski, Denise Duhamel, Virgil Suarez, Samuel Menashe, Maurice Kenny, Simon Ortiz, Carter Revard, Simon Perchik, Lyn Lifshin, Duane Niatum, Joseph Bruchac, Ed Galing, Daniela Gioseffi, Louis Reyes Rivera, Patricia Smith, Hal Sirowitz, Stephen Stepanchev, Rochelle Ratner,  Susan Terris, Tammy Nuzzo-Morgan, Antony Oldknow, Daniel Thomas Moran, Thad Rutkowski, Ellaraine Lockie, and  A.D. Winans.

Write Juanita Torrence-Thompson at poetrytownjtt (at) gmail.com

Saturday, January 31, 2015

Nonplussed? Or not?

I went through a period of looking up a lot of words, especially for their etymology. I loved Indo-European roots, and discoveries like the fact that the words "black" in English and "blanco" in Spanish go way back to the same Indo-European word for lightning or maybe blaze: brilliant white light that leaves things charred black.
I was less interested in usage, which brings up judgements about right and wrong and when change is good and when it is only inevitable.
Recently I was going over a manuscript for a colleague, and came across a passage in which the narrator is on a walking pilgrimage and bares her feet to protect a developing blister with moleskin: "The other pilgrims were nonplussed," she writes. "One nodded sympathetically and one asked to borrow my scissors." These sentences completely nonplussed me. They didn't seem to match. If the other pilgrims were so shocked by her bare feet, why were they calmly asking to borrow the scissors?
Looking up words in the Internet age is far quicker than it used to be, although it has lost some of the comforting ritual that came with dragging down Eric Partridge's Origins or pulling out the magnifying glass for the compact OED. Within seconds, I had Googled "nonplussed," and the first definition was just what I expected, suggesting that my colleague was misusing the word: "surprised and confused so much that they are unsure how to react."
But wait! There was a second definition, labeled as a "North American" usage. Since my colleague is Canadian, I thought maybe that was going to be the explanation, a Canadian usage. The second definition was "not disconcerted, unperturbed"– pretty much the opposite of how I understood the word. I looked a little further and found a usage note saying that while in standard use "nonplussed" means "surprised and confused," a new use has developed in recent years, meaning "unperturbed." The new use may have arisen from an assumption that "non" is the normal negative prefix and must therefore have a negative meaning. The second "nonplussed" is not (yet) considered part of standard English.
Is this word is in the process of slipping over to its opposite meaning the way many people use "drone?" "Drone" seems well on its way from leaving its meaning of "non worker male bee" to something more like "drudge," possibly because of the boring sameness of the sound denoted by another version of "drone."
In the end, the writer decided to go with "unperturbed" just to make sure her narrative wasn't misread.